In honor of Bastille Day, the Hank Kaplan Boxing Archive decided to raid the photo files on one of France’s all-time great boxers, Georges Carpentier. Carpentier (1894-1975) epitomized French, and European, boxing in the 1910s and early 1920s. His professional career lasted from 1908, when he began fighting as a 14-year-old flyweight, to 1927, when he fought a last exhibition match as a light heavyweight. At his peak, he challenged Jack Dempsey for the World Heavyweight Championship in the first million-dollar gate in boxing history. Carpentier also served his country as a decorated aviator in WWI, published a novel, and followed his boxing career with a second act as a Vaudeville performer and movie actor. He finally became a successful businessperson with the opening of a popular cafe, Chez Georges Carpentier. Handsome and well-mannered, Carpentier was not only a great athlete, but a true French gentleman.
The range of portraits below shows off the different sides of this iconic fighter.
“Gorgeous” Georges Carpentier looks more like a movie star than a brawler in the head shot below, taken to show off his Gallic profile!
Carpentier in a more relaxed moment; according to the scrawl on the back of this otherwise unidentified photograph he is posing with the “Old Oak Bucket” on a Connecticut farmstead in 1921.
The photos below, many of them obviously publicity shots, show Carpentier as the crafty, hard-hitting puglist.

Carpentier fighting Irish-American contender Ed “Gunboat” Smith for the “White World Heavyweight Championship” in 1914. (Black American Jack Johnson of course held the title of “World Heavyweight Champion at that time.) This bout ended with Smith getting disqualified for a disputed foul in the sixth round. Behind in points, he was called out for hitting Carpentier after the latter lost his balance and fell to the mat. Many spectators judged the blow to be clearly unintentional, but Carpentier was nonetheless crowned the champion.
Around this time, Carpentier also served as a referee. He oversaw the 1914 Paris match between Jack Johnson and Frank Moran, one of the “Great White Hopes” that faced the black World Heavyweight Champion. Moran’s supporters felt that Carpentier showed favoritism to Johnson throughout the match, ignoring his fouls and defensive clinches while swiftly calling out Moran’s. He proclaimed Johnson the winner of the bloody 20-round decision, which many observers felt Moran had earned. It’s worth remembering, however, that Carpentier was only 20 years old when he was entrusted with this task. The match was the last World Championship Johnson would win before his fateful bout with Jess Willard in Havana the following year.
Below, Carpentier and Johnson pose together in the ring.
The photograph below was labeled “Carpentier-Young Smith.” There is no record of Carpentier fighting anyone called Young Smith, although he fought several men with the sobriquet “Young So-and-So” and several, including “Steamboat,” with the surname Smith. Perhaps some boxing historian can resolve the mystery for us!
Of course, the high point, and the turning point, of Carpentier’s career was his match with Jack Dempsey, the “Manassa Mauler.” The fight, held at Boyle’s Thirty Acres in Jersey City on July 2, 1921 was a publicity coup and resulted in the sport’s first million-dollar gate. 92,000 spectators crowded in to watch. At that point, Carpentier was a wildly popular war hero and the popular odds ran about 50 to one. Despite a promising start, and despite delivering a powerful punch to Demspey’s face in the second round, Carpentier then broke his thumb in two places–with that very punch. He could not recover his momentum or power, and took a terrible beating in the third round. Although he battled on heroically, he suffered a knockout in the fourth round.
Although Carpentier’s career never fully recovered from this defeat, the fact that he and Dempsey remained friends for the rest of his their lives is a testimonial to the Frenchman’s sporting nature.
His personality and popularity undoubtable helped to give birth to the modern era of boxing promotion and publicity. We’ll be sure to check back and see what else Hank collected on this iconic figure!
As the boxing world mourns the death of Jimmy Bivins, one of the greatest fighters to never get a title shot, we at the Hank Kaplan Boxing Archive thought we’d take a peek in the Bivins file and see what Hank had collected on this neglected pugilist. Among a fat sheaf of articles spanning the arc of Bivens’s career–from his youthful stint as wartime “duration champ” to his belated induction into the Boxing Hall of Fame–we found a page of Hank’s own handwritten observations on the fighter. He was keeping notes for his own reference, not for posterity; his comments were technical in nature and hardly eulogy material. Still, as the sporting world considers Bivins’s legacy, surely we should throw Hank’s two cents into the mix. After all, as a fellow giant of the boxing world, a Kaplan “two cents” trades at a pretty high exchange rate! We reproduce it here:
BIVINS
- Delivered his punches with speed.
- Had a long reach though only 5’9″, but most important, he knew how to use this physical advantage.
- His timing was excellent.
- Good left hook, but expert with the left jab. Actually used it as an offensive weapon.
- Best instinct for what opponent in is position to do.
- Fought 11 world champs–beat 8.
- Was not a Fancy Dan boxer, but had great boxing skills in center ring.
- Was not a great K.O. puncher, but could hurt his opponent when it was his intention to do so.
So who were the eight future world champions that Bivins beat, out of the eleven that he fought?
Archie Moore, Ezzard Charles, Billy Soose, Joey Maxim, Anton Christoforidis, Melio Bettina, Teddy Yarosz, Gus Lesnevich. Six of the eight he defeated in the first two years of his professional career (1940-1955.) However, none ever gave him a title chance.
Other heavyweight contenders that he triumphed over included Charley Burley, Bob Pastor, Tami Mauriello, and Lee Savold.
And of course, Bivins twice fought his buddy Joe Lewis: once in a 1948 exhibition match and again, in 1951, when he dropped a 10-round decision that he himself always believed to be political: “I thought I won that one too, but Louis was looking for a title shot so they gave it to him,” he told Ring magazine.
Besides Hank’s notes, we also found a piquant letter to Hank from Gary Horvath, the lifelong friend of Bivins who was appointed the aging fighter’s legal guardian after he was found suffering from neglect at the hands of his own family members. There are too many colorful epithets to reproduce here, as he recounts his ongoing feud with Bivens’s older sister over his visitation rights and guardianship, but the letter attests to Hank’s evident concern for the fighter and Horvath’s desire to reassure him that “Jimmy” is recovering. Such personal, uncensored documents hiding amongst the clippings, programs, and such are what make forays into Hank’s archive so rewarding.
Of course, even sifting through newspaper clippings from a sixty-odd year span of time is fascinating in its own way, even if the printed materials are not one-of-a-kind. Articles from the 1940s, when Bivins was on a red-hot, 27 match winning streak, sound curiously blase or ambivalent about the reigning wartime “duration champion.” A couple reporters opined that he was not even close to a match for Joe Louis. A lackluster bout with Lee Savold at Madison Square Garden drew particular scorn from the press; one writer described the 3.5 to 1 favorite as fighting “more like a 6 to 5 favorite facing a scared little boy.”
However, as the years went by, Bivins’s stature gained more recognition. Among other accolades, Ring Magazine published a laudatory feature on him in 1974. In the article below, Jersey Joe Walcott even chooses Bevins as his personal pick for “Boxing All Time Great!” Despite winning the encounter in a split 10-round decision, Walcott ranked his opponent among the three toughest he ever faced.

At the other end of the scale, this very local newsletter describes Bivins’s afterlife as a trainer in Cleveland. Bivins was regarded as a “super gent” for his work with youth and his unassuming ways. And that’s not a bad way to be remembered, either.

By Charlotte Jackson
No problem! There have always been a plethora of books promising to teach any eager youth how to box in 10 easy lessons, without a teacher. You could order them out of the back of the Ring Magazine, or the sporting journal of your choice. No doubt some were superior to others. Some were authored by champions or popular fighters of their time, such as Jimmy Wilde, Tommy Burns, and Freddie Mills. Yet others were penned by “A Fistic Expert,” or by Johnson Smith and Company, best known for their catalog of gags and joke store items, which still offers rubber chickens and fake vomit today. Hank had a library of over 3,000 volumes on boxing and boxers, including a number of these manuals. (For some reason, a lot of them are British.) Here’s a sampling of these vintage DIY titles, classic and otherwise, dating from 1867 to 1981.
SCIENCE OF SELF-DEFENCE by Edmund E. Price (1867).
“THE COMPLETE SECOND,” by Bill Natty. (1900)
“BOXING” by A.J. Newton. Lightweight Amateur Champion, 1888 and 1890. C. Arthur Pearson, Ltd., London. (1904).
“SCIENTIFIC BOXING AND SELF-DEFENCE,” by Tommy Burns, World Heavyweight Champion 1906-1908. Health and Strength, Ltd. (1908.)
HITTING AND STOPPING by Jimmy Wilde, Flyweight Champion of the World 1914; 1916-1923. Athletic Publications Ltd. (1914.)
“ERRORS THAT LOSE DECISIONS, OR BLUNDERS OF BOXERS” by Charles Rose. Athletic Publications Ltd. (1920 edition.)
“SCIENTIFIC BLOWS AND GUARDS.” The Marshall Stillman Association, New York. (1922)
THE TECHNIC ON HOW TO BECOME SCIENTIFIC IN THE MANLY ART OF SELF-DEFENSE. By Eddie Toy. Isaac Goldmann Company, N.Y. (1923)
THE ART OF BOXING, by Jimmy Wilde, Flyweight Champion of the World 1914; 1916-1923. W. Foulsham and Co. (1923; reprinted 194_?)
BOXING TAUGHT THROUGH THE “SLOW-MOTION” FILM. Carpentier-Driscoll-Wells, etc. & their Methods.” Analysis by C. Rose. (1924).
“THE ART OF SPARRING AND BOXING: THE NOBLE ART OF SELF-DEFENSE WITHOUT A TEACHER.” Johnson Smith and Company of Detroit, Mich. and Windsor, Ont. (1935)
This is the same Johnson Smith of mail order fame– the company is still in business today, selling gags and novelties such as rubber chickens and fake vomit.
“SCIENTIFIC BOXING” by A Fistic Expert. Padell Book and Magazine Co. (1941)
“TEACH YOURSELF TO BOX.” by Alvin J. Williams. Pittsburgh, PA. (1943.)
“HOW TO BOX, HOW TO TRAIN” by John J. Romano. (1944.)
“IMPROVE YOUR BOXING,” by Nat Seller, with Jack Solomon and moves demonstrated by Freddie Mills. Findon. (1948.)
“A HANDY ILLUSTRATED GUIDE TO BOXING.” Edited by Sam Nisenson. Permabooks, (1949)
“HOW TO BOX: ALL THE MODERN MOVES” by the Editor of Boxing News and Jack Kenrick, former 8 stone Champion of England (1904-09) and Class “A” Star Referee. Published by War Facts Press, 92 Fleet Street, London (1950)
Boxing for Boys, by Benny Kessler. (1950.)
Learn Boxing With Me: by Freddie Mills (1955.)
Boxing: The Art of Self-Defense Step by Step, by John Cerrone, Trainer (1980)
“THE ART OF BOXING,” by Tom Lotta. (1981)
By Charlotte Jackson
Why is the square enclosure within which boxing matches take place known as the “ring”? We take it for granted that a boxing ring has four “corners”–quite literally. Yet there was a brief period in which the boxing world tinkered with the classic four-sided shape. A few clippings from the forties and fifties that Hank had squirreled away illustrate these experiments.
1944: The wartime focus on efficiency apparently spread to the world of boxing: this circular ring, debuting in 1944, promised to “speed up the game” by eliminating stalling.
This guest columnist (AP Pacific Coast sports editor Russ Newland) avers that his circular ring innovation could prevent boxing deaths, by preventing fighters from getting “wedged” in the corners.
Evidently, the circular ring did not enjoy a long vogue. However, a variant in the form of an octagonal ring made an appearance some years later, during the 1960s, as seen in the New York Times article below.
Apparently a California tree surgeon (and former amateur boxer) was inspired to create it by an epiphany he experienced while drinking his bedtime glass of milk: his gaze falling upon the circular bottle cap, he suddenly realized that boxing rings were meant to be round. (You have to wonder whether milk was truly the drink in his glass that night…) However, the ropes could not be tightened enough in a truly round ring, so he settled upon an octagon. A group of fighters ranging from former champion Emile Griffith and pros “Two-Ton” Charlie Gallento and Charlie Fusari, to assorted teenage amateurs, showed up to test the ring before a curious crowd of 2500 onlookers and a Miss Boxing California called “Bunny.” The consensus amongst observers seemed to be that the reduced depth of corners sped up the action, benefited “shifty” fighters, and supposedly prevented injuries to several boys who “would have been killed” in a conventional “ring.” However, the supposed safety benefits didn’t “square” with the five knockouts scored in the exhibition, admitted to be a higher percentage than normal in a contest of its kind. The fighters themselves pronounced the ring “boss,” though others seemed more indifferent: “I don’t care if I fight in a triangle!” Despite the enthusiasm, it seems the interest proved short-lived–or at least Hank failed to collect any more clippings on the topic.
My name is Steven Calco and fortune has granted me the chance to work in the Hank Kaplan Boxing Archive where I have spent the last year of my life processing boxing articles, programs, handbills, posters, and boxing organization’s records. Throughout my experience working on the collection, I have come across amazing and odd materials and this blog post will be a retrospective look at a few of the interesting things I have worked with over the past year.
One of my favorite projects I worked on within the Hank Kaplan Archives was the Posters subgroup. Within the Kaplan Archive, we have over two thousand posters of famous fights, local fights, newspaper print, Japanese magazine supplements, individual boxer, anti-drug boxing posters, and the list goes on! One of my favorite posters was a promotional poster for the Floyd Patterson/Ingemar Johansson World Heavyweight Championship match in 1961. The poster contains a portrait, height, weight, and year listing of every world heavyweight champion since 1719!
Another one of my favorite posters within the collection is an anti-drug poster released by the World Boxing Council in French, which is a perfect example of how all-encompassing Hank’s collection is.
Another rare item from our collection is an autographed Muhammad Ali poster of his fight with George Foreman in 1974 for the infamous Rumble in the Jungle Fight in Kinshasa, Zaire (Democratic Republic of Congo). Notice the date on the poster is September 24th when the match was originally planned, but due to an injury while training Foreman was unable to fight and the match was moved to October 30. A rare find indeed!
One of the oldest boxing programs I worked on was a match between heavyweights Jim Jeffries and Tom Sharkey in 1898. This particular program was found by Jahongir, our resident Special Collections archivist and boxing aficionado, within a clear plastic container in which Hank kept very rare and mostly autographed items.
‘Jim Jeffries vs. Tom Sharkey twenty rounds with a decision’
Sharkey was down in the 11th round.
Marquis of Queensbury Rules. The most important rule is probably number 7: “No shoes or boots with spikes allowed!”
Brief biography of Tom Sharkey:
One of the first projects I worked on was Hank Kaplan’s Fistic Arcana, a consortium of clippings about the unique aspects of boxing and related topics throughout history. This subgroup ran the gamut from boxing in the ancient world to famous gyms to manuscripts of boxing movies to fatalities in boxing (on and off the ring) to Hank’s subject files, which contains newspaper clippings of any topic relating to boxing that one can possibly imagine. If anyone is wondering the effects of sex on a boxer’s performance in the ring or which U.S. presidents boxed in their spare time, we have articles within Subject Files to satisfy your curiosity! Other oddities located within Hank’s Oddities file discuss strange and bizarre happenings in the boxing world, such as the longest bout in history between lightweights Andy Bowen and Jack Burke lasting over seven hours in 1893. Each fighter was exhausted and unwilling to give up fighting and during the middle of the 110th round the referee decided it was a no-contest! Other memorable clippings are located in the Animals files containing human vs. animal boxing bouts or sparring sessions. Here are a few:
Another fascinating discovery I made (by accident) within Fistic Arcana was a manuscript for the boxing movie Out on My Feet by Larry Golin and Vinnie Curto about the life of Vinnie Curto in 1997. The manuscript was nestled between boxing programs from Sugar Ray Leonard’s career as a welterweight and was accompanied with newspaper clippings about the star studded cast featuring Mark Wahlberg as Vinnie Curto, Roberto Dinero as his trainer Angelo Dundee, and Vinnie Curto himself playing his abusive father within the movie. Of course, the movie never came to light due to internal conflicts but one can read the manuscript that eventually made its way to the Hank Kaplan Archives.
As an archivist, the experience of working with the wide array of materials that were located within the Kaplan collection was rewarding enough, but to be working with coworkers who were as knowledgeable about the sport of boxing, as serious about preserving the amazing artifacts and overall cultural value of the collection, and who were genuinely great people was the most rewarding part of my experience. The collection itself is a shrine to the sport of boxing and to the great boxing historian who spent countless hours clipping every newspaper article and collecting every iota of memorabilia he could get his hands on for the archive. I think with the collaborative efforts of everyone who ever processed even a fraction of the collection, we have made the collection something Hank would be proud of.

























































